The Hong Kong Pavilion at this year’s Venice Biennale presents a thought-provoking exhibition titled „Courtyard of Attachments,“ curated by Olivia Chow and featuring the works of artist Trevor Yeung. The pavilion showcases eleven new artworks, each incorporating operating aquariums, with four installations specifically tailored to respond to the architecture of the exhibition venue in Venice. One of the standout pieces in the exhibition is the immersive installation titled „Cave of Avoidance (Not Yours),“ which recreates the interior of a pet shop with empty aquariums, prompting viewers to contemplate the intricate interactions between biological and chemical dynamics in artificial environments.
Yeung’s inspiration for „Cave of Avoidance (Not Yours)“ stems from his personal experiences with keeping pet fish and observing fish tanks in his father’s seafood restaurant and other establishments across Asia. The installation challenges viewers to consider the systems of interactions that occur within these artificial environments, highlighting the delicate balance between human-designed structures and the natural needs of the creatures they are intended for. The absence of fish in the tanks forces viewers to reflect on their own perspectives and biases, ultimately questioning the true intentions behind our interventions in natural ecosystems.
The artist’s meticulous attention to detail is evident in the technical complexities of the installation, which require periodic maintenance to regulate the water composition and ensure the ongoing biological and chemical processes within the tanks. Yeung’s work blurs the boundaries between art and science, emphasizing the interconnectedness between humans and nature. Through his installations, he invites viewers to explore the intricate relationships between living beings and the surrounding environment, shedding light on the often overlooked dynamics that shape our interactions with the natural world.
Yeung’s artistic practice reflects a deep understanding of the symbiotic relationship between humans and nature, challenging traditional hierarchies that place humans at the top of the evolutionary ladder. By encouraging empathy and interconnectedness with other living beings, Yeung’s work prompts a reevaluation of our role in the ecosystem and the impact of our actions on the delicate balance of nature. Through his installations, Yeung advocates for a shift towards a more harmonious coexistence with the environment, fostering a deeper appreciation for the interconnected web of life that sustains us all.
Overall, Trevor Yeung’s „Courtyard of Attachments“ at the Hong Kong Pavilion in Venice offers a captivating exploration of the complex relationships between humans and nature. Through his immersive installations, Yeung invites viewers to reflect on the interconnectedness of all living beings and the importance of fostering a symbiotic relationship with the environment. As we navigate the challenges of the Anthropocene, Yeung’s work serves as a poignant reminder of the need to embrace a more holistic and empathetic approach to our interactions with the natural world.
